States of war The 1993 Oslo Accords envisaged a “two-state solution” to the Israel-Palestine dispute: That a Palestinian state comprising the West Bank and Gaza would be created, alongside the existing state of Israel. That idea “has been dead for a while,” writes Noah Smith, in a widely shared and controversial piece. Some people envisage a “one-state solution.” But that either means ethnic cleansing —expelling Israelis to form a Palestinian state, or expelling Palestinians to form a Greater Israel — or an unrealistic scenario where Israelis and Jews form a plurinational state in which they consider themselves one people, something neither side wants. The only way out, says Smith, is to recognize both Gaza and the West Bank as states of their own: A “three-state solution.” Gaza and the West Bank are separated by Israel; “geographically, economically, politically, and militarily, they are already separate entities.” It wouldn’t end the violence or the hatred, but, he argues, it could start the journey towards more normal international relations between states, rather than between occupied and occupier. Brief encounter The lyrics to Aretha Franklin’s (You Make Me Feel Like) A Natural Woman, “the greatest record ever made about female sexuality,” were written by a man; its gospel-inflected music, by a Jewish woman. Its origin story is businesslike. Franklin was an up-and-coming star, and the head of her record label told two professional songwriters: “I’m looking for a really big hit for Aretha. How about writing a song called ‘Natural Woman’?” Ian Leslie, a writer and former advertising creative, calls this “one of the best creative briefs anyone has ever given.” A “brief” is how a business team sets its creative colleagues’ objectives: “What we want consumers to think, do, and feel” when they see the product. The label executive set the songwriters two constraints: The artist and the title. “After that, he left it up to them.” By setting constraints, a good brief can inspire creation: “It sets a clear destination, but allows its recipients leeway on how to get there.” Despairing effort U.S. citizens don’t live very long, given their wealth — they are much richer than Europeans, on average, but their life expectancy is significantly shorter. Over recent years, one widely believed explanation for that has been the “deaths of despair”: The idea that social and economic decay in poorer communities is driving an epidemic of early deaths from drug abuse, suicide, and alcoholism among working-class white Americans, as well as being responsible for the rise of Donald Trump. But it’s not true, says the politics writer Matthew Yglesias, and we should be less timid about saying so. The facts, he claims, don’t stack up: Most of the economic and social factors posited are just as relevant in non-white communities and, in fact, in European ones; and when you unpack the “deaths of despair,” the rise is almost all accounted for by a rise in opioid overdoses. The real cause is probably much more straightforward: “The US and Europe have very different laws governing pharmaceutical marketing.” Or, to put it even more bluntly, it’s easier to get hold of fentanyl in the U.S. than in Europe. |