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Afrobeats’ rise, Air Afrique nostalgia, BET Awards for Africa, Cape Town’s koe’sisters ͏‌  ͏‌  ͏‌  ͏‌  ͏‌  ͏‌ 
 
snowstorm Bangui
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June 25, 2023
semafor

Africa

Africa
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Yinka Adegoke
Yinka Adegoke

Hi! Welcome to Semafor Africa Weekend.

We often say we want to ease you into the rest of the weekend and get you set for the week ahead, but we found ourselves rethinking that on Saturday as we realized that something potentially world-changing was happening in global geopolitical terms. That was, of course, the threatened attack by Wagner military operatives on Moscow.

Naturally Alexis and I (and the editor-in-chief, Ben Smith) started to wonder what this might mean for Africa given the fact that some African countries play a key role in Wagner’s economic model. I spent a good amount of time this weekend talking to some of the smartest people we know about what this means and no one is pretending they know how this will play out for Africa or indeed Russia itself. But perhaps Atlantic Council’s Amb. Rama Yade put it best when she noted pithily (after much insightful analysis) that “the impact on Africa will be bigger than we think.”

One obvious place where the uncertainty around Wagner will be felt more acutely will be the Central African Republic, where media coverage has always been sparse and inconsistent. One writer who spent a good deal of time reporting from there has been Anjan Sundaram. This week he shares an excerpt from his latest book, primarily set in CAR, and he discusses the challenges of reporting from that country. If it was complicated before, it might have just got even more so.

🟡 If this newsletter was forwarded to you, just click here to receive the Africa newsletter direct to your inbox three times a week.

Evidence

Unless you’ve been living under the proverbial rock, it’s been clear Afrobeats has been one of the hottest pop genres globally for a few years now. We talked about this last week with Spotify’s Africa head Jocelyne Muhutu-Remy. This week her team shared some fascinating data and insights about just how global Afrobeats has become. We’ve extrapolated that, based on Spotify’s numbers, Afrobeats is well on its way to another record year in terms of streams. The rapid growth of Afrobeats in recent years is such that all of the top 10 most streamed songs became hits in the last three years. It’s worth noting that Spotify’s particular strength here is telling the global story of Afrobeats as the world’s leading audio platform. But on the continent, music labels often tell us young fans listen to their hits with platforms including Boomplay, YouTube, and Audiomack.

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Anjan Sundaram

How to report on the Central African Republic

THE SCENE

UNHCR/Sam Phelps

A routine drive from Bouar, a town in western Central African Republic, to the northern city of Bohong became a masterclass in reporting from the frontlines of war.

Bouar was once a French military garrison, but the French soldiers had long left and soldiers of the Central African government had occupied the military base. Mirek — the local abbot of Bouar — and I traversed a rocky moonscape in his white pickup. Cell phone networks didn’t reach this place and Mirek was in a hurry.

The village was silent when we arrived, until Mirek honked loudly. I saw movement at the edge of my vision: a man ran at us. I rolled down my window and the man thrust a sheet of paper at my face.

“A rebel?” I asked Mirek.

“Probably, by now,” he said. “All the villagers are joining the rebels to fight against the government.”

The rebel’s sheet lay in my lap. On it, columns had been drawn and in the first column was a list of names. The second column described what had happened to them: who had been killed, whose property had been stolen, and who was now ill with dysentery or fever.

The abbot stuffed each village’s war report into his glove compartment. In the 21st century, people here had been so isolated that facts needed to be relayed by hand.

Mirek used his position as the local abbot, a respected figure, known to the soldiers, to serve as an information relay. In a world inundated with information, this was how news had to be collected in the Central African Republic’s war — by hand, and the courage of an abbot.

*This an excerpt from Breakup, by Anjan Sundaram

Penguin Random House

KNOW MORE

The ongoing conflict in CAR is the third civil war the country has seen in just over three decades. In March 2013, rebel groups formed in the north to oppose the government, which rebels claimed was not abiding by peace agreements after the preceding CAR Bush War. Rebels formed a coalition called the Séléka and seized the capital.

Looting and atrocities soon led to deadly reprisals by self-defense committees made up of villagers and former soldiers called the Anti-balaka militias. Much of the tension between coalitions is over religious identity between Muslim Séléka fighters and Christian Anti-balaka.

ANJAN’S VIEW

Central Africans have been casualties of inattention; their lives deemed dispensable, less important, less worthy of international news coverage. While hundreds of international reporters rotate in and out of Ukraine, providing round the clock coverage, CAR is shrouded in darkness, many of its killings passing unreported.

Reporting on the world’s most isolated major war, in the Central African Republic, is made difficult by the relative obscurity of the country, outside its region. International magazine editors are largely unaware that the country exists, or that a war is underway there.

News from CAR still travels to New York and Paris before it reaches an audience in Nigeria or Kenya. When I traveled through the CAR, I didn’t meet a single African reporter. A colonial international news structure, heavily dependent on funding and reporting from Western capitals, is not good enough.

African middle-income economies should step up and take a greater interest in their neighbors, investing in deploying journalists who report on events affecting millions of Central Africans.

Instead of continually criticizing the West for its blind spots, it’s time for the Global South to provide a new, post-colonial perspective on the world, showing us how to view events with intelligence and compassion, outside Western frames of reference.

Additional reporting by Marché Arends

Read an extended version of this article here.

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Semafor Opportunities

We’re looking for a dynamic, entrepreneurial Business Development and Partnership Lead to build our growing global and pan-African advertising sales business. The role spans our digital newsletters, web, video, and live-in person event audiences across the continent and beyond. In just eight months, Semafor Africa has become the continent’s leading, high-quality journalism brand with over 100,000 newsletters subscribers and hundreds of thousands of web users consisting of the region’s top business and political leaders and cultural influencers. You would preferably have an MBA from a global institution and experience working for a blue-chip organization. You should be based on the continent, ideally with knowledge of Nigeria, South Africa and Kenya. Candidates with French language skills will be looked on favorably. If you aren’t insanely driven and obsessive about winning and building, you aren’t the right fit for this role.

To apply, please send a memo outlining your vision for how you would excel in this exciting role to apickens@semafor.com.

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Designed
Eduard Marmet/Creative Commons

A print magazine named after a defunct west African airline launched on June 23 in Paris promising to connect current Black cultural moments to the 20th century’s pan-Africanist awakening. Air Afrique, as the magazine is called, is also the name of a Paris-based art collective founded by Lamine Diaoune, Djiby Kebe and Jeremy Konko who want to “revive the African transcendence” the airline evoked, as Diauone described it.

To aid its quest, Air Afrique licensed images from Balafon, the in-flight publication of the airline that operated between 1961 and 2002. Bottega Veneta, the luxury fashion brand, is the only advertiser in the new magazine’s first issue. Limited edition ‘afro-futuristic’ blankets by Abdel El Tayeb, a French-Sudanese designer affiliated with Bottega, are being sold to mark the debut.

Bottega Veneta

The Air Afrique airline was co-owned by Senegal, Central African Republic, Cameroon, Côte d’Ivoire, Gabon, Benin, Burkina Faso, Mauritania, Niger, Congo, and Chad. It was a patron of African arts, sponsoring an iconic film by the pioneering Senegalese writer-director Ousmane Sembène, and the first edition of the World Festival of Black Arts in Dakar in 1966. No such pan-African aviation institution exists today — national carriers by Ethiopia, Kenya, and Rwanda now compete for the continent’s airways.

The Parisian collective’s literary project isn’t about reviving pan-African aviation, but it wants to tell stories of aspirational identity forged through multiple countries’ interdependence in post-independence Africa. “Air Afrique was more than an airline, it was a cultural platform,” said Kebe, the group’s creative director in a statement.

Alexander Onukwue

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One Big Idea

Why not the BET Africa Awards?

BET International

Later today, screaming fans will gather at the Microsoft Theater in Los Angeles to celebrate the 22nd year of the BET Awards with some of the biggest names in Black American entertainment — and an increasing level of African influence.

Just a few years ago there was a campaign by African stars to make sure the International award was featured in the main telecast. Today, acts like Burna Boy (four nominations), Tems (three), and Uncle Waffles (best newcomer; pictured) are all recognized in mainstream award categories and the international award has become a big part of the main show.

The African impact has been so significant in the last couple of years that BET is seriously thinking of launching a standalone BET Africa Awards, said Monde Twala, lead of BET International. “We definitely have the ambition of expanding into a BET Africa award that is more local and more diverse in a regional sense,” he told Semafor Africa. With genres like Afrobeats and Amapiano, alongside stars like Nigeria’s Burna and eSwatini’s Uncle Waffles blowing up, BET International sees an opportunity. “I think it’s a great time for the continent and for the artists. The culture is mainstream now so we need to continue to build on that and create that focal point for a new generation of African stars.”

BET’s sister brand MTV has had an on-off, on-again Africa-focused awards show called the MAMAs (MTV Africa Music Awards) which has been on hiatus since one planned for 2021 in Kampala was postponed. Twala said a BET Africa Award would not just be about music and would serve a slightly older audience with a wider remit across pop culture including fashion, TV, movies, social causes, and sports.

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Street Foods
Discott/Wikimedia Commons

Sunday mornings in Cape Town would not be complete without a few koe’sisters and coffee at the breakfast table. The traditional Cape Malay doughnut — sometimes described as a spicy dumpling — should not be confused with the koeksister (its equally sweet Dutch-inspired cousin). Some have likened koe’sisters to the Indian sweetmeat gulab jamun.

Koe’sisters are made from balls of dough and flavored with cinnamon, aniseed, ginger, cardamom and dried orange skin powder. They are deep fried in oil, dipped in boiling sugar syrup and then coated in coconut. The best thing about them is that no two are the same – a koe’sister from one part of town is likely to be slightly different to one from the suburb next door.

Koe’sisters were created by the Cape Muslims; descendants of exiles and the enslaved from colonized Southeast Asian territories. Cape Malay slaves used to take home the leftover koeksister dough from their Dutch colonial bosses and literally, spice things up.

The derivation of the name is not so easy. From gossiping spinsters to young children mispronouncing words, stories abound about how it got its name. Etymology aside, this sweet treat is a must-have when visiting the Cape.

Marché in Cape Town

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Weekend Reads

🇬🇳 A mining company 49%-owned by the Guinean government, is causing a trail of destruction to the environment, displacing hundreds of residents in the northwest of the country. Compagnie des Bauxites de Guinée is also 51%-owned by a consortium of global mining companies, including Rio Tinto and Alcoa. The International Finance Corporation loaned the company $200 million to expand its mining activities. It was supposed to build projects in the area, but take steps to compensate for the ecological damage. However, a ProPublica report reveals a trail of hunger, displaced and broken families, decimated ecosystems, and conditions ripe for the spread of deadly contagions.

🇸🇳 In Senegal, women are taking up spaces in the hip-hop music scene to shine a light on issues of social justice and women empowerment. The country’s male-dominated industry is fast changing as more women carry forward the country’s legacy of socially conscious and radical urban music. Senegalese hip-hop artist Sister LB, has played a crucial role in making women’s voices heard, writes Sarah Johnson in the Guardian. Her music asks pertinent questions about government, leadership, and Africa’s role in the world.

🇿🇼 The Zimbabwean government is investing in new clean power generation capacity, shifting from coal — which accounts for over a third of electricity generation. A growing population, rapid rural-to-urban migration, and nascent economic recovery post-pandemic has led to an increase in the demand for power. While the southern African country announced plans to cut carbon emissions by 40% by the year 2050, clean energy rollout has been slow and problematic. The China Energy Engineering Corporation proposed the construction of a 1,000 MW solar plant at the Kariba Dam at a cost of nearly $1 billion.

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Week Ahead
  • The IDC East Africa CIO Summit, Nairobi. IT and telecom leaders will discuss the current state of the digital economy and assess its ongoing impact. (June 27).
  • President of Equatorial Guinea Teodoro Obiang Nguema Mbasogo will visit Russia, his fourth visit to the country, ahead of the second Russia-Africa summit, due in St. Petersburg in late July. “We could say this is the year of Africa for Russia, as we’re hosting a summit and have a host of visits,” said Russian presidential aide Yury Ushakov. (June 27).
  • The African Smart Cities Summit, Johannesburg. Conveners will explore how smart cities can deliver a better quality of life for Africa’s urban dwellers. (June 27 – 29).

Send Week Ahead event suggestions to africa@semafor.com.

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Hot on Semafor
  • Robert F Kennedy Jr. is running for president of podcastland. Dave Weigel looked at how the Democratic candidate is getting his message out without traditional media.
  • The ad industry’s climate campaigners gain ground. At the Cannes Lions festival, Jules Darmanin reported on how global ad agencies try to have it both ways: getting paid by fossil fuel giants while attempting not to be seen with them.
  • A new generation of data centers being built in Africa’s smaller economies are fueling a $5 billion market opportunity, Alexis Akwagyiram reported.

If you’re enjoying the Semafor Africa newsletter and finding it useful, please share with your family, friends, holders of spare BET Awards tickets, and koe’sister enthusiasts. We’d love to have them aboard, too.

🇲🇿 Happy 48th independence day to Mozambique!

🇲🇬 Happy 63rd independence day to Madagascar! (Monday)

You can reply to this email and send us your news tips, gossip, street food recommendations and good vibes.

— Yinka, Alexis, Marché, Alexander, and Muchira

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